“Once upon a time, when I was waiting to go on stage for the first performance of my first acting role (I was the lead in a play called “To Die For” by London playwright Tim Bourgard), I was so intrigued by what was going on backstage that I forgot to be nervous about the prospect of spending the next thirty-seven minutes lying in a hospital bed, centre-stage, in front of a theatre full of people.
Fast forward to the present, and I find myself calling the show for Silver Spotlight Theatre’s most ambitious work to date – Stephen Sondheim’s fractured fairy tale, Into The Woods. I am chuffed to be working with such an enthusiastic cast and crew as we prepare for this, Sondheim’s most-performed, and perhaps most demanding stage production.
If there is one character I truly admire, not just in this production, but in the world of fairy tales, in general, it would have to be Jack, of Jack-and-the-Beanstalk fame. I am touched by his innocence and his bravado as he encounters and then slays the Giant. Jack also tries to be a dutiful son to his widowed (or abandoned) mother, but he is a lonely kid; his best friend in the whole wide world is a baffed-out cow named Milky White.
Being part of Silver Spotlight Theatre has changed my life as much as my first foray onto the stage did way back when. More importantly, the group has been a game-changer for community theatre everywhere. We have shown London and the world that there is still a lot of life, talent, enthusiasm, and energy left in these over-55 thespians.
SST has been such a hoot that I wish I had done it 30 years ago, but then, I would have been too young to meet the age-55 cutoff point. Some things really do get better with age!”
Cam
Silver Spotlight Theatre’s production of Stephen Sondheim’s Into The Woods, opens on November 21 and runs until December 1 at the Auburn Theatre. For tickets and more information, visit https://www.mtplondon.ca/into-the-woods
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