Remembering Wonderland Gardens and The Pop Festival of August 1969

Mention the name Wonderland Gardens today, and most Londoners will probably respond, “Wonderland what”?

The site of the legendary dance hall, which burned down in 2005, is now called Springbank Gardens, and all that remains of the original venue is the outdoor bandshell.

The story of Wonderland Gardens begins in the early 1930s, when Charles Jones signed a long-term lease for a small lot of land in Westminster Township adjacent to the Thames River. His plan was to build a series of gardens, fountains, woods, ponds, and footpaths, including a luxurious swimming pool, all surrounding a 550-square-metre, open-air dance floor with a bandstand and Spanish Colonial-style pavilion.

Wonderland Summer Gardens opened on May 24, 1935, and it quickly became one of the city’s hot spots. Big Bands like Guy Lombardo and his Royal Canadians and those led by Glenn Miller, the Dorsey brothers, and local musicians like Johnny Downs and Lionel Thornton all graced the venue’s bandshell. Generations of Londoners danced and canoodled under the stars on the venue’s open-air dance floor.

As the decades passed and musical tastes changed, the venerable dance hall changed with the times. By the 1960s, Wonderland was London’s favourite concert/dance hall for the thousands of London area Boomers who flocked there to see major acts like Sly and the Family Stone, Deep Purple, The Mandala, Grant Smith and the Power, and many others too numerous to list.

Wonderland was also a jumping-off point for local bands like The Bluesmen Revue, A Small Experience, and The New Set, who mostly opened for the headliners.

For John Sharpe, The New Set’s former drummer, Wonderland holds a special place in his musical career.

“A group could play any number of teen towns or private events, but everyone knew you had not really ‘made it’ until you played Wonderland,” recalls John. “It was a magical place that attracted hundreds of teens to its weekly rock ‘n’ roll shows, so every group in the area wanted in on the action.”

Jim Chapman, former bassist for The Bluesmen Revue, a very popular London R&B group, remembers headlining at Wonderland many times.

“The room had excellent acoustics both on the stage and in the hall. In those days that was the exception rather than the norm,” Jim recalls. “And it had one of the smallest dressing rooms I ever saw in a venue that size. How the multi-person big bands ever managed to get their people dressed for a gig I cannot imagine!”

Ken Thorne, of A Small Experience, another London band that regularly played Wonderland, remembers the venue’s dressing rooms, too.

“The original dressing room walls were scrawled with the signatures of many of the artists who performed there. Whenever we played there, we used to try and find the new additions while waiting to go on stage,” says Ken.

On August 13 – 14, 1969, Wonderland hosted a two-day Pop Festival featuring Frank Zappa and the Mothers of Invention, Alice Cooper, Cat Mother & The All Night News Boys, George Olliver & The Natural Gas, and others for the whopping price of $7.00! The event preceded the much larger Woodstock Music Festival that took place in New York State, August 15 – 18.

Apparently, Zappa was asked why he wasn’t playing Woodstock. His reply? “Because we don’t want to.”

Rumour has it that after his set, Zappa waterskied on the heavily polluted Thames River, which flowed behind Wonderland! The rumour was recently confirmed during an interview I did with Chuck Jones.

As the years progressed, touring acts moved to other venues in town and Wonderland became more of a location for special events like company parties, conventions, rallies, and receptions.

“In its final days, the City of London had an active interest in Wonderland, but the council would not invest the money needed to refurbish it and keep it a top live performance venue,” Jim laments. “When Wonderland burned down, there was a lot of talk that something political and fishy had gone on, though I have no way of knowing if that was the case. Like many people, when I heard news of the fire, I shed a tear for all the great days and memories gone by.”

So next time you pedal or walk through Springbank Gardens, take a pause to see if you can hear some of the strains of great music that was once played on the site.

Author’s Note: Since this story was published in The Byron Villager a few years back, I was commissioned by the City of London Culture Office to prepare an Interpretive Sign that visually tells the history of Wonderland Gardens from 1935 to its rebirth as Springbank Gardens. Hopefully, the official unveiling of the sign will take place by summer’s end.

Who Are The Artful Players?: Lesley Andrew

Meet LESLEY ANDREW, Music Director and Soloist (“You’ll Never Walk Alone”) for the May 15th Groovin’ for Good Fundraiser for the London Food Bank at the Palace Theatre. Lesley performs everything from opera to jazz, oratorio to musical theatre, and has performed as a soloist with orchestras throughout the world.

“When I was a little bitty thing, I did an episode of ‘The Treehouse’ as the special guest with all my pets. I remember being crushed that the show wasn’t filmed in an actual treehouse,” recalls Lesley. “I didn’t really know a lot about Silver Spotlight Theatre until I was asked to play Rapunzel for Into The Woods. Now, I’m hooked! I love being out in our community, meeting new people and having fun!”

When she’s not performing with SST and The Artful Players, Lesley operates Dream In Progress Productions Voice & Drama Studios and with the El Sistema after-school program for kids. She is also the conductor for The Ausable Singers, a community choir based in Ailsa Craig. 

Tickets for the fundraiser are available now and can be purchased online at https://palacetheatre.ca or the Palace Theatre Box Office, 710 Dundas St., London, ON, 519-432-1029. #theartfulplayers #groovinforgood #londonfoodbank #atthepalace #dreaminprogressproductions

Silver Spotlight Theatre presents Into The Woods: Stage Manager Cameron Johnston

Stage Manager Cameron Johnston on Silver Spotlight Theatre’s next production, Stephen Sondheim’s Into The Woods:

“I am excited to have been tapped as Stage Manager for Silver Spotlight’s production of Into the Woods. Having started with Silver Spotlight as assistant stage manager for Babes in Arms, it’s a great honour for me to move into the Stage Manager’s role. With Rick Smith’s direction, and the team he has gathered around him, this is going to be a dynamite show. I’m encouraging everybody who loves musical theatre to make plans to attend.”

Be part of this magical show. Auditions will be held on Wednesday, June 12, and Thursday, June 13 at 150 Dufferin St., London from 7:00 pm to 9:30 pm, with callbacks on Saturday, June 15. Time slots can be reserved by email at intothewoods@mtplondon.ca

More information about the play can be found on the Musical Theatre Productions website: www.mtplondon.ca

Silver Spotlight Theatre announces its third production, Into The Woods.

LONDON, ON – Hot on the heels of its sold-out production of Grease, London’s Silver Spotlight Theatre is planning its third show, Stephen Sondheim’s Into The Woods, for November 2024 at the Auburn Theatre.

Co-founded by Art Fidler and Rick Smith in 2022, Silver Spotlight Theatre is a branch of London’s Musical Theatre Productions (www.mtplondon.ca). It features and is produced by performers and staff 55+ with a mission of presenting full-scale Broadway musicals.

The group’s inaugural production, Babes In Arms, sold out during its two-week run in March 2023, and Grease sold out in six days.

Into The Woods is a playful and enchanting yet perilous woodland adventure that follows some of the Grimm Brothers’ most beloved fairytale characters like Cinderella, Jack, Rapunzel, a wolf, a giant, and even a handsome prince or two, as they search for their wishes. Their stories collide in the woods where things don’t always appear as they seem.

Into The Woods has intrigued me since getting a sample on the 1988 Tony Award broadcast. Thirty-six years later, my excitement for it hasn’t diminished. It is certainly a departure from the Silver Spotlight Theatre model of seniors portraying teens on stage,” says the play’s director, Rick Smith. “Still, it builds on the successes of the previous two productions. It has the naivety of Babes in Arms, the exuberance of Grease, and adds slightly more mature moral messages for everyone to interpret for themselves.”

Auditions will be held on Wednesday, June 12, and Thursday, June 13 at 150 Dufferin St., London from 7:00 pm to 9:30 pm, with callbacks on Saturday, June 15. Time slots can be reserved by email at intothewoods@mtplondon.ca

Into The Woods Is presented through a special Music Theatre International (MTI) arrangement. All authorized performance materials are also supplied by MTI.www.mtishows.com.

Media Inquiries: Richard Young, Into The Woods Program Head, 519-432-6986, richardyoung51@rogers.com

Silver Spotlight Theatre presents Into The Woods: Program Head Richard Young

Program Head Richard Young on Silver Spotlight Theatre’s next production, Stephen Sondheim’s Into The Woods:

“I am honoured to work alongside director Rick Smith, producer Cindi Armer Almeida, and Stage Manager Cameron Johnston in bringing this ambitious production to the Auburn Theatre stage in November. I aim to produce a Program befitting what will be a stunning combination of songs, costumes, and sets. Welcome to the Forest!”

Be part of this magical show. Auditions will be held on Wednesday, June 12, and Thursday, June 13 at 150 Dufferin St., London from 7:00 pm to 9:30 pm, with callbacks on Saturday, June 15. Time slots can be reserved by email at intothewoods@mtplondon.ca

More information about the play can be found on the Musical Theatre Productions website: www.mtplondon.ca