Note to Gordon Lightfoot – It’s time to hang ’em up

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Overheard at Saturday’s Gordon Lightfoot concert at Budweiser Gardens: “Oh my God, he’s so old!”

I don’t think the young woman who said this comment about the 80-year-old octogenarian troubadour as he returned to the stage for one encore meant it as a disparaging description of the Canadian music legend’s talent as a singer/songwriter.

She was just expressing what many people in the audience – including this writer – were thinking: Mr. Lightfoot is simply too old and too tired to be touring and performing anymore.

Meanwhile, the Rolling Stones – all of whom are pushing 80 – have just announced a 13-show US stadium tour in 2019.  Seriously, does the world really need another Stones tour?

For many people, the image of 75-year-old Mick Jagger prancing around the stage belting out “I can’t get no Satisfaction” like it’s 1969 is just too much to stomach.

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I came of age in the 1960s and was lucky enough to see many of the decade’s rock legends in their prime – including the Stones, Jimi Hendrix, Janis Joplin, Deep Purple, Santana, Sly and the Family Stone, Neil Young, The Who, Johnny Winter, James Brown, Bob Dylan,  The Amboy Dukes, The Rascals, Jeff Beck, Eric Clapton, The Righteous Brothers, Frank Zappa, The Turtles, and Chuck Berry, just to name a few.

Some of these artists, unfortunately, didn’t make it past the 1970s, succumbing to substance abuse and other inner demons. Some went on to become multi-millionaire super stars touring the world and living in the kind of luxury they could only dream of in their youth. Some have become parodies of themselves relegated to playing nostalgia shows, and some have completely fallen off the musical radar. Some, probably the minority,  are still composing and recording relevant music and performing to appreciative audiences in 2018.

As Neil Young (himself getting a bit long in the tooth at 73) suggested in his seminal song Hey, Hey, My, My (IntoThe Black): “It’s better to burn out than to fade away.”

Perhaps for some ageing musicians, it’s best to know when it’s time to hang ’em up.

This brings me back to Lightfoot’s concert last Saturday.

It’s not that he didn’t entertain the audience. He did.

It’s not that he didn’t play many of the hits off of his 30 albums of original compositions. He did.

It’s not that he didn’t have a talented backup band. He did.

And, it’s not that the audience didn’t show its appreciation with extended applause and a standing ovation. It did.

But only a completely tone-deaf patron would not have been able to discern that Lightfoot struggled with some of the arrangements, unable to hit higher notes and singing almost unintelligible lyrics at times. It was also obvious that he didn’t perform some of his more challenging compositions.

Indeed, as my companion Val Cavalini, a long-time Lightfoot fan going back to the mid-1960s, suggested: He was a pale imitation of himself in his prime and I would have preferred to listen to a couple of his albums at home with a glass of wine in my hand.

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I feel bad because I talked her into going as I thought it might be the last chance to hear the musical icon live before he either retires or, God forbids, passes away.

I hope those around him, whom he acknowledged from the stage on Saturday, will huddle with Gordon after this tour and advise him to call it a career, leaving his indisputable musical legacy intact.

Please don’t hate me for suggesting this.

November 26, 2018

 

 

 

 

No Mr. Trudeau, I don’t want Statistics Canada accessing my personal banking information

News that Statistics Canada is asking the country’s nine largest banks for the transaction data of 500,000 randomly chosen Canadians, including everything from bill payments to cash withdrawals from ATMs to credit card payments and even account balances, got buried by events transpiring elsewhere in the world.

The government has said it has the legal authority to do so — even without informing Canadians or getting their consent — in order to build a personal information data bank to analyze things like consumer trends and spending habits.

Conservative House Leader Candice Bergen grilled Prime Minister Justin Trudeau about the request during question period Monday following the Global News report that revealed it. [Note: I am not a Conservative. IMHO, this is a non-partisan issue.]

Surprisingly, Trudeau defended the request, claiming that “High quality and timely data are critical to ensuring that government programs remain relevant and effective for Canadians,” adding that his government would ensure that all personal information would be protected and be used for statistical purposes only.

Say what?

In these days of almost daily Internet privacy breaches, who in their right mind – let alone the country’s PM – would willingly offer up their banking information to a third-party?

All that’s missing here is a robo-call  asking Canadians for their Credit Card and Access Card information.

Statistics Canada has said that once the data is compiled by the agency it will be made anonymous in order to remove personal identifiers saying it hopes to have the initiative up and running by January 2019.

Despite Trudeau’s reassurance, readers may remember that Statistics Canada lost nearly 600 sensitive files during the 2016 census process after confidential documents were left on a subway and hundreds were lost after an employee’s car was stolen.

Not exactly comforting news.

Surely, Canadians will vocalize their opposition to this unacceptable intrusion into their financial transactions.

 

 

A Star Is Born is a pleasant surprise

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Because I’m old enough to remember the embarrassingly bad 1976 Barbra Streisand/Kris Kristofferson version of A Star Is Born, I was in no particular hurry to see the new one. Thankfully, I was pleasantly surprised when I went to see it on Saturday with Val Cavalini.

Lady Gaga (Stefani Joanne Angelina Germanotta) and Bradley Cooper have great screen chemistry as the two star-crossed lovers and the soundtrack is great.

Sure, it’s a schlocky cliched love story, but in these days of hate-filled world leaders, acts of terrorism and Fascist creep, it’s a great way to spend a couple of hours in a darkened theatre.

Oh, by the way, bring some Kleenex. It’s a real tearjerker.

Here’s the tune that’s likely to be an Oscar contender next Spring.

October 22 can’t come soon enough for me

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I don’t know about you, but I can’t wait for October 22 to come so this divisive municipal election campaign can finally be over.

I’m tired of the acronym BRT and all it represents.

I’m tired of BRT sucking up all the time, while other issues like poverty and homelessness take a backseat.

I’m tired of hearing the adjective “transformational.”

I’m tired of hearing some Mayoral candidates arguing over who has the most impressive business background and employment history, as if these were major prerequisites for the position.

I’m tired of hearing Paul Cheng’s godawful radio spot “Cheng for Change.”

I tired of hearing about election sign vandalism, phoney websites targeting female candidates, mysterious PR firms and election slates, and seemingly endless candidates’ meetings.

I’m tired of reading articles about how Ranked Balloting works and how it might impact the results of the October 22 election results.

But, more than anything else, I’m alarmed about how this election campaign has divided Londoners on the basis of class and income, age, place of residence and perceptions of the city past and present.

There may have been more acrimonious municipal election campaigns in London’s political history, but none that I can remember during my years voting  (1972 to present).

My major fear is that this campaign has turned off voters and may result in a poor turnout at the polls on October 22. This could be the worst outcome given the important issues at hand.

So, I can’t wait to cast my ranked ballot on October 22.

I hope you feel the same.

 

 

Reflections on cannabis legalization

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I was listening to a cannabis entrepreneur on the radio talking about his company’s THC-infused non-alcoholic products and their degree of intoxication the other day, when it suddenly hit me what a paradigm shift (I hate that term, but it fits here) Canadian society has experienced in regard to marijuana harvesting, sales and distribution, and consumption.

Almost overnight, the cannabis sector has become a legal multi-million dollar industry set to kick into operation throughout the land on Wednesday, October 17. Some provinces will have retail outlets – private or government-run – open for business, while others will sell cannabis online.

What’s more overwhelming is how many former “straights” like former Toronto and London police chief and former federal Cabinet minister, Julian Fantino, who have taken entrepreneurial leadership roles in the sector. This is the same guy who once compared legalizing weed to legalizing murder. WTF? I guess money trumps everything.

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Fantino, a longtime opponent of marijuana legalization, told the Toronto Sun in 2004 that legalization would not cut down on crime, adding: “I guess we can legalize murder too and then we won’t have a murder case. We can’t go that way.”

As someone who came of age in the 1960s when pot was very much a demonized illegal substance –  see movies like The Devil’s Weed and Reefer Madness – and usually only consumed by so-called fringe groups like hippies, artists and musicians (famous and otherwise), this change in attitudes in not only welcome but mind-boggling and a reminder of how old I am.

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The movie Reefer Madness, released in the 1930s, continued to influence attitudes to cannabis well into the 1950s and 1960s.

Indeed, I remember two infamous London narcs – Dave Tennant, who is now a big wheel in real estate development, and Brian Garroway – chasing teenagers around town and busting them for nickel and dime bags. Those were the days!

To be quite honest, I never thought I would live to see the day when it would be legalized.

Be here we are.

Let the great social experiment begin!

[To see how far attitudes have changed, check out this Link for the full length movie Reefer Madness released in 1936 https://www.youtube.com/watch?v=zhQlcMHhF3w%5D